I confess I cannot provide an objective assessment of a
Michael Gilbert novel. He’s a favorite
of mine for his economical, almost terse style that nevertheless conveys just
exactly the right amount of character development and plot momentum. Be Shot
for Sixpence perfectly illustrates Gilbert’s expertise at writing intriguing,
thoughtful, and yet fast-paced thrillers.
The reluctant hero of this outing is Philip, who receives a cryptic
message from his old friend, Colin: “Go
to Cologne, walk across the Hohenzollern Bridge. Stand in the middle of the bridge looking
down-river at nine o’clock in the morning.”
Philip, at loose ends after breaking up with his girlfriend,
sees no reason why he shouldn’t go to Germany despite knowing that Colin must
have been working for British intelligence and that something has surely gone
wrong. Indeed it has, and before you can
say “You should have stayed in London and patched things up with your girl,”
Philip is embroiled in international intrigue behind the Iron Curtain. There’s a dubious fellow named Piper, and a
yet more dubious fellow named Lady, a plausible chap called Messelin, and an
agreeable young lady named True, but sorting out the divided loyalties of this
group is a challenge for Philip. Expect
a bit of derring-do and double crosses before Philip gets to the bottom of the
mysterious message from Colin.
Michael Gilbert is one of my "Persons of Interest" entries in Bev's Vintage Mystery Challenge. Gilbert was a London attorney who dabbled in writing mysteries and thrillers while practicing law. I don't know anything about his expertise as a lawyer, but his writing was superb. He was a tough character, having endured some time as a POW in Italy during WWII, an experience which he uses to great effect in Be Shot for Sixpence. My favorite anecdote about Gilbert: when his daughter told him she was going to write novels, he said: "For God's sake, don't use adverbs." You'll find the quote near the end of his obituary in The Telegraph.